Stanleys Control in A Streetcar Named Desire Essay -- Control A Stree

Stanley's Control in A Streetcar Named Desire Remember what Huey Long said – Every Man is a King! - Explain how Stanley had his control, how he has had his kingship challenged and how he is trying to re-establish his control. â€Å"Remember what Huey Long said – â€Å"Every Man is a King!† Explain how Stanley had his control, how he has had his kingship challenged and how he is trying to re-establish his control. In the opening of â€Å"A Street Car Named Desire† by Tennessee Williams, we are presented with a stereotypical presentation of a husband and wife. However, during the duration of the play, we see how Stanley changes from being in control, to loosing his control and using desperate measures to regain a higher status. In Scene 1 the impression the audience gets about Stanley is that he is in control over his wife. The first time the audience sees him, he â€Å"bellows† at Stella and Stella â€Å"mildly† talks back to him, showing Stanley’s higher status. Stanley also â€Å"hurls† a meaty package at Stella, showing his masculine power that he possesses. Stella, in contrast, is the one that waits for Stanley. The first time we see Stella and Stanley together, Stanley has gone to find Stella rather than the other way round. This gives the audience the impression that Stella is almost a stay at home wife to Stanley. When Blanche and Stanley first meet, it is easy to see that Stanley feels as if he has control. He â€Å"starts to remove his shirt† in front of Blanche when he has first met her, indicating his confidence and his high status attitude. A small indication that Stanley’s â€Å"kingship† is being challenged is show in the start of Scene 2. In Scene 2, Stella takes Blanche out to a show and supper, while Stanley has ... ... then chooses Stanley, leaving Blanche to be taken away by a Doctor to a mental hospital. In the beginning of the play it is clear to see how Stanley has higher status than Stella, shown through a combination of stage directions and speech. Stanley realises that his status has been lost fairly early on in the play, and firstly believes that he must show his masculine power by hitting Stella. This is obviously the way he has solved any previous issues to do with his masculinity, as Stella says about how â€Å"Stanley’s always smashed things†. Stanley realises how this usual solution won’t work this time, so he puts his efforts into driving Blanche away. He succeeds in doing this, but it shows the audience a terrible side to Stanley. His last action to regain masculinity is an awful act with risky consequences, as Stella could have easily turned against him.

Two Kinds Amy Tan Outline

Thesis: In Two Kinds, Amy Tan uses defiant americanized Jing-Mei and her native mother’s expectation of obedience to depict the clash of the cultures and its effect on the relationship between the two.I. Jing-Mei is overpowered by her hopeful and ambitious mother who believes that anything is possible and is willing to take any measures to achieve it: however her ambitious nature weighs heavy on Jing Mei and places strains on their relationship. a. â€Å"My mother believed you could be anything you wanted to be in America† I. â€Å"Like many immigrants to the United States, Jing-mei’s mother has created visions of her adopted country as a land of opportunity where all dreams may be realized (Brent)†II. Culture aspect because mother holds ambitions shared my immigrants and childlike faith B. â€Å"You could open a restaurant. You could work for the government and get good retirement You could buy a house with almost no money down. you could be instantly fa mous† I. â€Å"Opening paragraph introduces an element of irony in the narrator’s attitude toward her mother’s vision of America as a place where â€Å"you could become anything you wanted to be (Brent)†. II. Her mother has unreal expectations because she expected her to achieve greatness instantlyC. â€Å"Soon after my mother got this idea about Shirley Temple, she took me to the beauty training school in the Mission District and put me in the hands of a student who could barely hold the scissors without shaking.† I. â€Å"Her mother’s American dreams, function as a symbol of hope for a brighter future for her daughter(Brent)† II. Her mother is doing what she believes to be best for Jing- Mei but is causing her to resent her.III. â€Å"When she looks in the mirror one night, she sees only her mother’s of her as a failure and a disappointment(Brent)† II. Her mother’s asian culture means that pride and honor paired with the sacrifice of her other children make Jing- Mei an outlet for her mother to channel all her hopes and dreams into. A. â€Å"And after seeing, once again, my mother's disappointed face, something inside me began to die.† I. â€Å"Jing-Mei’s sense of failure to embody her mother’s hopes and dreams is†¦distressful (Brent)†.B. â€Å"Three days after watching the Ed Sullivan Show my mother told me what my schedule would be for piano lessons and piano practice.† i. again her mother  is trying her best to make Mei-Jing be better than she was trying to vicariously live through her Conclusion: Although Mei-Jing initially resents her mother’s cultural exceptions of her initially she then realizes as she comes of age that her mother only has her best interest in hear. The piano symbolizes the struggle to stay true to herself but also trying to remain obedient and respectful to her mother. Acceptance of the piano as a gift symbolizes her mother’s forgiveness of her. Coming of age means maturity for Mei-Jing and regret towards her actions when younger.

The Portrayal of Lady Brett Ashley as the Modern Woman of...

Women of the 1920’s compared to women today are seen as very passive and were usually domestic wives whose main responsibility was to take care of the house and children. But throughout this decade, women were starting to slowly modernize and become more independent. In The Sun Also Rises by Ernest Hemingway, Lady Brett Ashley is somewhat portrayed as â€Å"the admirable new woman† of the 1920’s-the woman who openly flaunts accepted conventions of the passive, dependent female role in society and emerges as a positive, inspiring, and risk-taking figure in Paris, Pamplona, and Madrid among the male expatriate artists. In the novel, we see Brett as a modern and somewhat inspiring woman through characterization and the analysis of specific moments†¦show more content†¦This is admirable and inspiring because it gives a role model to other women during these years. There were probably many women who felt bored with their life in the shadow and who wanted to l ive the same life as Brett but were too afraid of other people’s reactions. But although Brett may have set a role model for other women, she still had her flaws, one of them being that she was very promiscuous and had several affairs, leading men on to think that she cared for them, for so to ditch them for someone else. One very good example of this is her relationship with Jake. She cared deeply for Jake, but kept on hurting him, not necessarily intentionally, by her not wanting to be in a relationship with him due to his impotents. After Jake and Brett depart in Pamplona, Jake goes to San Sebastian, but quickly after his arrival, he receives a telegram from Brett who was in trouble, and needed Jakes help. The telegram said: â€Å"Can you come to hotel Montana Madrid, am rather in trouble, Brett† (Hemingway 209). The reason Brett is contacting Jake to help her is because she has decided to leave Romero, her 19 year old lover whom she left to Madrid wit. Brett knows how strongly Jake feels about her, and knows that he will always be there for her wh en she is in trouble, something that is proven when Jake says: â€Å"Well, that means San Sebastian all shot to hell. I suppose, vaguely, I had expected something of